Many artists claim to be dedicated to their craft, but Sonny Symes takes it to a whole new level. The Hastings UK based producer, DJ, promoter, label owner, radio host, and teacher has been grinding away for years. Better known by his moniker Melinki, his résumé is quite remarkable. As a DJ, he’s won Valve and Hospitality DJ competitions. As a producer, his work has been highlighted by DJ Target, Mistajam, Noisia, and Rene LaVice. In his hometown, he operates his own music school STL Studios and the record label 4 Corners Music.
Melinki’s latest EP with cohort Demure was received with remarkable fanfare. The release hit #2 on Beatport D&B releases and the title track hit #16 on Beatport’s over all top 100. A testament to his versatility, each of the four tracks brought a completely different flavor. So, just where does he draw his inspiration from for his vast array of musical talent? We caught up with the ever-smiling Melinki to learn a bit about his influences for the 11th part of our series.
Check out the Dancehall Sound EP: www.fanlink.to/dhs
“[This is] the first vinyl I ever owned. Bought for me for a Christmas present when I was 13 from my elder brother, Jesse. This same Christmas I got my first pair of belt drive Soundlab turntables (haha). 18 years later I’m still in love with this song and DJ’ing more than ever! MJ Cole is an absolute genius on the buttons. There’s something about that sound that comes in at 1:30 that just gives me goose bumps every time! Reminds me of great times growing up with my brothers. Plus, the Marcus Intalex remix on the other side… what a record!”
“Oh, where do I start! Probably my favourite tune of all time. It is everything I want in a drum and bass track. The pads draw me in from the first second, chills every time! Wicked vocal, industrial rolling drums, and then the switch-up that takes it dark side. It doesn’t get better than this for me.
I first heard this at an under 18’s rave on Hastings pier. It’s an iconic venue for drum and bass raves in my home town of Hastings, and this track takes me back there every time I hear it!”
I was lucky enough to visit Ibiza with my dad for my 15th birthday. We went to a night called manumission at the worlds biggest club, Privilege. Fatboy slim turned up and did a surprise set from 5am to 10am. We danced for the entire set until we looked up and realised it was daylight. I first heard this track during this set. The second drop has the sickest saxophone solo, and that night a sax player walked through the club playing it… walking up to the DJ booth that was on a bridge over a swimming pool. As the track dropped the sax player got right over the bridge and just killed it! I will never forget that moment. It was one of the best nights of my life. Thanks Dad, you’re a legend!”
This on reminds me of my eldest brother, Joshua. The ultimate gurning tune as he would explain it, haha! Again this tune has it all, the atmosphere on the intro just takes you away then that big growling reece comes in and boom! Powerful tune! A wicked tune to mix too.
If you haven’t heard this, I suggest you listen immediately. What a track, what a voice! It’s up there with my all times favourites. It just takes me away to a happy place!
I was heavily into UK Garage and still love it to this day. These tracks are timeless, and again, it just reminds me of great times. I love mixing this track too. It’s all about the bassline. The vocal is just perfect and full of soul. And, the sax that comes in just kills it!
I had to have a hip hop track in here! Hip hop has been a huge part of my influence and my life. It’s hard to pick a single track or even an artist, but this album was just so important to me. Probably my most listened too album ever. I wouldn’t skip one track, even to this day. I was first introduced to this by an old friend of mine, Neil Rowe. I think we were 12 or 13. I took it with me to go and visit my dad in Munich, where he worked at the time. I remember being really excited to show it to him and thinking the music was amazing. He told me it was disgusting and to turn it off (haha). I think it was just because of my age he was shocked by the lyrics, but as we got older he started to get it. My older brother Jesse really got him into hip hop.
Amazing tune… absolute game changer. I had heard a bit of dubstep before I heard this, but this was the first dubstep track that really got me. Epic intro and drums! It was the first time I really understood the swing of dubstep drums, and it really captured my emotions and imagination. It got me into a lot of amazing dubstep after this. A great time for UK music!
On a school trip in London, I spotted HMV in Soho, so I snuck off to see if I could find any decent tunes. I couldn’t believe my luck when I found it, and was even happier when I found snapshot was on the flip! I got a right bollocking from my school teacher when I came back, but it was worth it! haha
Mampi Swift – The One is probably my most double dropped tune of all time. It’s massively influential to me as a DJ. Watching Mampi Swift in raves was always a highlight and definitely helped me craft my own mixing style. One of my proudest moments was when I won the Valve DJ comp. I mixed The One as my last tune, and it went off. IC3 (Mampi Swifts mc at the time) was one of the judges and he told me Mampi would be proud of that mix haha. A great moment for me that got even better when Dillinja told me I killed it.
Absolute liquid perfection, and I still play this out on the regular. It’s a masterpiece of a tune and everything I love about liquid. I remember being at Outlook Festival with my mate, Stuart. We were watching Skpetical with SP and Visionobi on the Mungos Hifi stage – which is an absolutely amazing sound system! Skeppy was playing pretty dark and then dropped this and it just completely changed the place. Everyone had a smile on their face and it was just pure love in the air. That moment still gives me goose bumps to this day, and it really cemented the fact of just how powerful and special liquid drum and bass is. That’s why, for me, there is no better music 🙂
